I was looking for an excuse to avoid the new movie about the latest violent Cormac McCarthy book, No Country for Old Men, set in a mythical West Texas, and Marc Leepson of the VVA Veteran magazine has provided it in the latest issue–which isn’t at the link yet, but will be soon. "No Movie for the Faint of Heart," is his review of this Coen Brothers flicker. Why, I wonder, is Hollywood so invested in extreme violence, as the only alternative to the bad-America message-movie crep they normally churn out? What ever happened to musical comedies and light-hearted romances? Gone with the wind, I guess. I don’t wonder why they typically use Vietnam veterans as mindlessly-violent characters, as the Coens do here one of them in this movie more or less is. It must be part of Scientology’s secret credo. At any rate, it’s too characteristic of their work to be chewed over. Leepson pronounces this one a tsunami of blood and guts, boring in parts, not very thrilling, and ultimately pointless. Yep, that’s McCarthy and Hollywood, peas in a pod.

Meta

Gun Owners of America

-
Recent Posts
- The colonizers May 12, 2024
- Degenerate animals December 30, 2023
- The War of Seven Fronts December 27, 2023
- Just close the damn border December 26, 2023
- Here? Of course. November 16, 2023
- Weird chemical smell November 12, 2023
- Israel’s 15 ceasefires November 6, 2023
- “Arise and take our stand for freedom as in the olden time.” -Winston Churchill
Archives
Blogroll
- Abolish the IRS
- Advice Goddess
- Aish
- Althouse
- American Free Press
- American Glob
- American Greatness
- Arutz Sheva
- Axios
- Babylon Bee
- Bad Blue Uncensored News
- Bearing Arms
- Ben Goldstein
- Blog of Death
- Breitbart News Syndicate
- Buddha at the Gas Pump
- CAMERA
- Canary Mission
- Chicks on The Right
- Clarion Project
- Colossus of Rhodey
- Commentary
- Concealed Nation
- Conservapedia
- Curmudgeonly Skeptical
- Daily Caller
- Daily Signal
- Diana West
- Diogenes Middle Finger
- Donald J. Trump
- Duffel Blog
- Dustbury (In Memoriam)
- Earl of Taint
- Elder of Ziyon
- Eschaton
- Eternea
- Everlasting Phelps
- Fox News
- Gab
- Gates of Vienna
- Gateway Pundit
- Gay Patriot (In Memoriam)
- Globes
- Heartland Institute
- Heeb
- Heritage Foundation
- Hook'Em
- Human Events
- Ice Age Now
- IDF Spokesperson
- Instapundit
- Israel Matsav
- Israel Video Network
- Jazz Advice
- Jewish Press
- Jewniverse
- John Wilkes Club
- Join The NRA
- Jordan Is Palestine
- Kotel Cam
- Lake Travis Webcam
- Legal Insurrection
- Lucky Gunner
- MACV Teams
- Maggie's Farm
- Me on Facebook
- Me on Twitter
- Meh
- Melanie Phillips
- Meteorological Musings
- Mind-Energy
- Miriam's Ideas
- Mostly Cajun
- Mouth of The Brazos
- My Old RV (In Memorium)
- NetRightDaily
- New Geography
- NewsBusters
- No Tricks Zone
- One America News Network
- Palestinian Media Watch
- Pamela Geller
- Pat Condell
- People's Cube
- Phase Line Birnam Wood
- PJMedia
- Planck's Constant
- Political Clown Parade
- Political Pistachio
- Power Line
- PreOccupied Territory
- Quod Verum
- Real Clear Politics
- Real Science
- Red's Guns
- Ricochet
- Rule of Reason
- Sandmonkey
- Save The Royal Navy
- Seablogger (In Memoriam)
- Self Reliance Central
- Shooting Illustrated
- Simply Jews
- Skeptiko
- Slashdot
- Small Dead Animals
- Sooper Mexican
- Steyn Online
- Stiltons Place
- Streamliner Memories
- Streetwise Professor
- Sultan Knish
- Tablet Magazine
- TechDirt
- Texans United
- Texas Insider
- Texas Insider
- Texas Policy
- The Blaze
- The Blogesss
- The Fat Guy (In Memoriam)
- The Federalist
- The Grand Scheme
- The Imaginative Conservative
- The Israel Project
- The Other McCain
- The Passing Parade
- The Rebbe
- Times of Israel
- Trigger Warning
- Twitchy
- UN Watch
- Urgent Agenda
- Violin Lab
- Vocabula Review
- Volokh Conspiracy
- Washington Examiner
- Waterloo Trio
- Watts Up With That
- We Are For Israel
- Weasel Zippers
- Weather Bell Analytics
- Weekly Standard
- Western Journalism
- Whatfinger
- Yoani Sanchez
- Your Brain On Porn
- Z Man
- Zero Hedge
Support Wikipedia













The Moss guy, protagonist “A” in the story, is a Vietnam Vet, yeah, but he’s not mindlessly violent. He’s violent, but it is not mindless. (I figure protatonist “B” was the sheriff.)
He saw a possibility of escaping the struggle for money that his life was and he took it. He carefully weighed all the odds and decided he might succeed, knowing that it would be close.
It is most assuredly not as pointlessly, grossly, gory and gutly as any of the slash movies, e.g., the Halloweens, the Saws, the Friday the 13ths.
The slasher movies don’t trick you into thinking they’re serious. You’re sort of right about Moss, so I fixed it in the post. But I read the book. He didn’t seem to me very calculating when he took the money, certainly not later when he was dumb enough to go back to the scene. At any rate, why should he be a Vietnam vet AT ALL? Because that’s Hollywood’s beloved stereotype–especially the down-on-his-luck part–and McCarthy (who hadn’t used one before in his books that I recall) knows it. @$$holes.
Well, I’m starting to feel like the Cormac McCarthy Apology Man around here, but…
It was 1980. What are the chances that he wouldn’t be a vet? I don’t know the numbers, and can’t be arsed to look them up, but as a small town Texas kid during the war, I had many friends with dads, brothers, uncles and cousins who served. So, it fit, at least to me.
As far as down on his luck, well, you’ve been to border towns. What percentage of the well-off are highly competent hunters / trackers? That was a skill that Moss learned growing up, probably because it put food on the table, like it did mine. So, it fit, at least to me.
All of McCarthy’s previous books were set prior to Vietnam. NCFOM was his first ‘modern-day’ novel, and it was a look at the border, again. I just don’t think you can take it out of the context of Blood Meridian or the Border Trilogy, though nobody but me makes that argument. Yeah, it’s violent, but the border has been violent since before CM started writing. It’s violent today. Any honest look at it is going to be violent.
None of which is say that Hollywood isn’t formulaic & boring & relies on stereotypes, but NCFOM is not part of that boring stereoypical formula, as even a non-Hwood guy like me can tell you.
PS I thought he was extremely calculating by taking the money. Less so, when he let his good raising override his calculating by taking water back to that poor dying gutshot Mexican, instead of heading for the swamps of Louisiana with that cute gal of his.
PPS So you’re the guy who watches all those musical comedic romances? I wondered who to blame.
This is no more than I deserve, I know, for leaving anti-McCarthy comments on your and JD’s blogs. But you are the CM apologist, Scott. Probably his biggest fan. Some day, when they write the history of this era, they’re going to have to conclude that it was one of the most violent ones ever, solely based on the books and movies. And that’s just crep. Not even the border deserves that slander, and not even the drug trade. Not even the school shootings, weird and worrisome as they are. Well… maybe I’m going too far. But, yes, I miss Mary Martin! Born in Weatherford, BTW. I used to complain about that stuff when it was around. Now that it’s gone, and all we have are druggies and tarts for movie stars, I really miss it.
I doubt that seriously and with all due respect. They’re not going to conclude that it was a violent era any more than I think everybody rushed around tap-dancing and singing to beat the band like they do in Busby Berkely musicals.
And you know as well as I do that druggies and tarts are a staple of Hollywood, and have been for freaking ever. What we have now, though, is a society that is so damn well off that they have MUCH more time to sit and ponder the druggies and tarts. Personally, I say that’s good, and all we’ve got to do is learn how to handle it. Perez Hilton is way ahead of us in monetizing it, you know — the modern-day PT Barnum. It’s hucksters and rubes, same as it ever was. The line was always long at the girly show tent.
None of which has anything to do with CM, thankfully.
At any rate, why should he be a Vietnam vet AT ALL?
For the purposes of the storyline, Moss as a Vietnam Vet and his experiences as a sniper contrasts him with Sheriff Ed Tom Bell and his experiences as an infantryman in WWII. Hunting and hiding from men is an entirely different problem than hunting for food or, for the most part, the type of warfare seen on the European front in WWII. Also, LTC Wells is offered (and Chigurh is perhaps inferred) as a Vietnam era veteran who took a different, darker, immoral path that no one is going to be sympathetic to. Moss’ comfort level with not only scoped rifles and shotguns, which he would have had from his upbringing, but handguns and automatic weapons probably could only have come from practical experience in the military, and given his mid 30s age in 1980, that means Vietnam.
Looked at this way, Moss is actually a “good” Vietnam Vet, albeit one whose “goodness” leads to his demise. (Shades of Blood Meridian here…) As I remember, if Moss killed anyone it was during an act of self defense, including the old woman and the Mexicans at the hotel, and, frankly, we can’t be sure he killed anybody in the movie or the book. The only person he wants to kill is Chiguhr, and with good reason, though his desire to see him dead comes only after they ended up in a shootout which wounded both.
I like your analysis, Charles. Hunting other men, as you say, is substantially different from hunting for food (which, for the most part, can’t fight back) or confronting an opposing line, which is a worthy oversimplification of WW2. I see what you’re saying about Moss being the good vet, even if he is a thief and a rather stupid one at that. Going back to the scene may have been noble, but it wasn’t at all smart. I almost quit the book at that point–right at the beginning. If you’re going to thieve, you’ve got to thieve, not try to be a saint, as well. Anyhoo… I’ve got a kid to get to bed.
My thesis was presented in haste, Scott. That’s my best excuse. 😉 I have nothing against girly shows, per se. I like porn as well as the next fellow, as long as it’s not degrading. I realize we all have our own definitions of that. But I think the girly tent, instead of being a side show, has become the main show. I’m very tired of Hollywood and its tarts who I see every day at the H.E.B. checkout counter where they (adorn is too nice a word) the magazines sold there. I hope they all go broke, as some of their recent movies have done. That’s a trend I could get behind.
Err… sorry, Dick, I will be on the side of Moss’ defenders. I don’t know what I would do finding that $2M bag and don’t even want to think about it, but his behavior wasn’t that of a murderer or in any way reflecting badly on a Vietnam vets.
That it wasn’t Cohen’s best movie – sure, but this pair is one of the least typical for Hollywood. At least they are trying…
Maybe you’re right about Moss, Snoop. But I wonder if the Coen’s really were trying this time. Fargo, at least, had humor. The thugs were actually funny. Here the chief thug has no redeeming social value at all.