My teacher, the amazing jazz violinist James Anderson, put off his studio’s fall recital until spring. Too many of his young students had try-outs and auditions to practice for. For us adult beginners, recitals are just a lark.
Meanwhile I still have LOCO, my mid-week gig as a contra-dance band sideman playing backup chords and Pentatonic scales for much better melody fiddlers, along with mandolinists and guitarists. It’s like a free lesson and it’s also fun. I’d forgotten how much I loved ensemble work from my high school and college days as a trumpet player.
For the spring I believe I’m going to work up at least one piece by Duke Ellington, probably Satin Doll, or maybe Prelude to A Kiss. Shoot, I might do both. When it comes to jazz I confess to liking these old ballads the best.
UPDATE: I’m working up Prelude and a Klezmer piece, Der Yid in Yerushalayim (The Jew In Jerusalem), which includes a harmonic I’m struggling with.
MORE: The spring recital was set for June 7 but James has canceled it in favor of a new, uncertain date in late June or mid-July. He got a June 7 gig he just could not refuse, playing in the orchestra for this famous, Grammy-winning choir.















