Category Archives: Music

The Waterloo Trio

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The Waterloo Trio is my favorite semi-classical (well, Bjork to Beethoven) Austin ensemble, partly because the fiddler James Anderson (on the left) is my fiddle teacher. But they’re also just fun to listen to.

Other members are Jonathan Geer, at the piano, and Tony Rogers on cello. Their first CD (mostly composed by Jonathan) is worth buying (or at least playing the excerpts at the link to decide which one to buy) and they have a second one in the works.

All three of them also are part of James’s jazz ensemble the Austin Piazolla Quintet. And they are also  freelance musicians, Jonathan composing themes for computer games and Tony and James acting as sidemen for various artists. If you like jazz, for instance listen to James’s beautiful violin lead on singer Suzi Stern’s “Tango for Tina.”

Rule 5: Hanneke Cassel

Another great American folk fiddler (and a looker), who was the ’97 U.S. National Scottish Fiddle Champion which is about a type of fiddle music played in the U.S. rather than about Scotland or the fiddlers there.

Rule 5: Lauren Rioux

A versatile fiddler, mainly in the old-time music tradition, with a beautiful singing voice. Lauren’s new album has some pretty tunes and songs, my favorite being the Old Carpenter’s Waltz, an old Cajun melody. A fellow fiddling regular in our pickup dance band soloed it Wednesday night at the end of the evening, and I went hunting for it, found Lauren’s MP3 of it at the link and bought a copy to learn her version by ear.

The Dutch Army Bicycle Band

Just for laughs, I’m sure, considering they play drinking hall tunes.

Mostly brass, of course, including a variation on the ancient Serpent (the skinny over-the- shoulder horns). But they also have a couple of drums, cymbals and a glockenspiel.

I suppose when you’re in the Dutch Army you don’t see a lot of action, so you have to get your kicks where you can. Geez. They even wear puttees.

Some great music for pennies a pop

The computer game Neptune Gasoline never made it to production but that certainly wasn’t Jonathan Geer’s fault. My favorite Austin pianist/composer has done more than a few game soundtracks (thirteen so far) and Neptune Gasoline was one of his better efforts.

Fortunately, even if the game cratered, the music still is available in MP3 format at pennies a pop. My favorite there is A Thousand Light Years at 3:32 for a mere 89 cents, or more if you want to be generous and help out a talented guy who has the proverbial bright future ahead of him, shades and all.

Or try Eye of The Pond at 2:02, from Jonny’s soundtrack for Sparkle 2, an arcade puzzle game that is apparently pretty popular.

And don’t miss JG’s score for the PC adventure game OwlBoy, when it becomes available. No MP3s for sale yet, but you can preview the main theme of the really cool music here on YouTube.

Bach on a bike

Most musicians are certifiable, at least the ones I know, like the chord violist in our pickup fiddle dance band who doesn’t speak much English (I think he’s Japanese), plays the thing sideways and has a bow with black hair.

But this fellow, who lives in South Lowestoft in Suffolk, England is barking mad. Yet, somehow, he pulls it off, slaloming between light poles and park benches with, seemingly, nary a care for aught but his intonation and rhythm.

Warning, not for heart patients.

The Jewish Cemetery at Newport

Henry Wadsworth Longfellow’s poem on the 1677 Sephardic burying ground in Newport, Rhode Island:

How strange it seems! These Hebrews in their graves,
Close by the street of this fair seaport town,
Silent beside the never-silent waves,
At rest in all this moving up and down!

The trees are white with dust, that o’er their sleep
Wave their broad curtains in the southwind’s breath,
While underneath these leafy tents they keep
The long, mysterious Exodus of Death.

And these sepulchral stones, so old and brown,
That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
And broken by Moses at the mountain’s base.

The very names recorded here are strange,
Of foreign accent, and of different climes;
Alvares and Rivera interchange
With Abraham and Jacob of old times.

“Blessed be God! for he created Death!”
The mourner said, “and Death is rest and peace!”
Then added, in the certainty of faith,
“And giveth Life that nevermore shall cease.”

Closed are the portals of their Synagogue,
No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
In the grand dialect the Prophets spake.

Gone are the living, but the dead remain,
And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
Still keeps their graves and their remembrance green.

How came they here? What burst of Christian hate,
What persecution, merciless and blind,
Drove o’er the sea -that desert desolate –
These Ishmaels and Hagars of mankind?

They lived in narrow streets and lanes obscure,
Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
The life of anguish and the death of fire.

All their lives long, with the unleavened bread
And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
And slaked its thirst with marah of their tears.

Anathema maranatha! was the cry
That rang from town to town, from street to street:
At every gate the accursed Mordecai
Was mocked and jeered, and spurned by Christian feet.

Pride and humiliation hand in hand
Walked with them through the world where’er they went;
Trampled and beaten were they as the sand,
And yet unshaken as the continent.

For in the background figures vague and vast
Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
They saw reflected in the coming time.

And thus forever with reverted look
The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
Till life became a Legend of the Dead.

But ah! what once has been shall be no more!
The groaning earth in travail and in pain
Brings forth its races, but does not restore,
And the dead nations never rise again.

Henry’s usual musical rhymes, of course, but obviously not at his most prophetic…